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More Earth Wind and Fire song meanings ».
This is easily the definitive version of this one. Les internautes qui ont aimé "On Your Face" aiment aussi: Infos sur "On Your Face": Interprète: Earth, Wind & Fire. Even so, it's still a tad too long. On Your Face - Earth Wind And Fire. It's a bit overly-repetitive, although the group does vary it up occasionally with staccato horn breaks and the introduction of strong Latin percussion. Goes back to Jesus... I like this one, the lyric is strong and it sticks in my head more than a lot of the others, though it's still a bit overly-repetitive. Plant a flower, and you'll grow a pearl. Say "oo-blay, bay-doop-bay, bay-doop-doop-da".
The horn section blasts out staccato accents and the whole thing gels immediately; already the group's instrumental prowess impresses, while the harmony vocals have a creamy smoothness that would distinguish all their material. All night, all right. If Jesus doesn't ignite it, Satan will. Of my own reality of life and how time stops for none of us, and in tandem of my youth in the 70's amazed of the Gifts of EWF…. Dunn makes almost geometric patterns with his staccato lines over the typically uplifting rhythm and one of their catchiest choruses to date; the influence of Wonder's "Superstition" is obvious, and this is almost as good, though it's just a tad shorter than it should be. A highly percussive break ratchets up the intensity, and the slap bass work is their finest to date. At home in Lebanon, Tennessee Maurice White and EWF were the people's choice for easy listening, parties, and meditation. Tell all the world, my need is fulfilled and that's a new design. Interlude #2--processed industrial-sounding guitars wail over a tight beat--this should have definitely been developed into an actual song. Thank you for Earth Wind & Fire……. Shining star, come into view. We're a long way from Jessica Cleaves, here. A slightly fuzzed guitar solo now takes over, as the Santana influence is made even more obvious.
This is the EW&F I love best, just *really* getting down with the guitars (one fuzzed, one wah-wah, both interlocking in the grittiest funk majesty possible), while Bailey soars on top and the rest of the band chants away. Texas groove, light up my shoes. Lady Sun--this follows up pretty well from the opening track, maintaining the electro-funk groove.
Type the characters from the picture above: Input is case-insensitive. The song leads out with a brilliant sax solo; the seamless fusion of funk, pop and jazz totally complete. And--we finally get a storming guitar solo, although it's unfortunately somewhat buried underneath the chanting vocals. Hearts afire, burning love and desire.
Fantasy--an uptempo ballad that, like some of those on "Spirit", features Philly-styled strings and another typical late-70s all-falsetto vocal--but I can't complain too much because the melody here is just so, *so* strong. Every word, note, harmony, instrument, lyric, … Add his Emotions wrote/produce hit, "Flowers". It's a slightly sappy ballad reminiscent of several on the previous album (it was written by Skip Scarborough, also responsible for "I'd Rather Have You" on LDAT), but this one is better in every way. Power Plant computer and government legislation and engineering of equipment. I can see why a lot of people kind of lose interest in the group at this point, and didn't follow them after that. However, as noted the group's overall capabilities are far too strong to ever sink even the weakest material, and the best of what's here is exceptional, with "Power" being absolutely definitive. Anonymous Jun 15th 2016 report. This is one of their more deep-fried cuts, the wah-wah rhythm sounding exceptionally, awesomely dirty; unfortunately the sound mix places the band too far in the background, when the sound should be loud and punchy. The sound mix is much cleaner than before, allowing one to really appreciate what's going on; the kalimba dances around the guitars, as White had by now mastered the art of incorporating its exotic charms into a commercial pop song. Maurice and EW&F helped me through some tough times the music the messages. C. Musical Interlude: New Horizons--snippets of old songs, as if played on a radio, give way to lots of digital synth patterns. C'mon Children--a live favorite well into the mid-70s, this actually sounds like an early blueprint for "Shining Star". I was the only one of my social group as a teenager who loved the EWF sound.
Watch for the signs that lead in the right direction. In a far gone land shooting everyone. Queens in the pocket, girl in a locket. By now the group can really do little wrong; they're too good instrumentally and vocally to be dull. Without a similarly huge hook, it's merely a pleasant funk groove given wall-of-sound orchestration and a strong White vocal (at least it's not all falsetto, LOL). Oh, oh, oh, oh - Galaxy Defenders. I enrolled as a percussionist (conga drum). When I see your face like the mornin sun you spark me to shine. Come to see victory.
Wish upon a sunnyday, it'll turn to rain. Es lamentable su pérdida. The subject tackles issues of self-identity and self-worth, confusion, and apathy without finding easy answers, yet still suggesting there is a possible way forward. The peace in the lyrics, the voices in harmony, the funk in the music that made you move, groove, and feel the love. Getaway--this very strong leadoff track features a rapid-fire, repeated series of horn riffs that emanate a piercing urgency. That being said, this studio version pales next to the live version found on the next album--you only know what's missing in this song, until you hear what they did to it on stage. Is this a bit of a guilty pleasure, seeing as how I can easily picture Studio 54 dancers snorting coke under a discoball while this plays?
Beauty in our face you see, tryin' to hide all our misery, but Evil, runnin' through my brain, me and evil are about the same. Black mistro get you to move. The lead and backing vocals circle each other expertly with typically catchy melodic hooks set up in counterpoint, while the horns spit out punchy accents. It's not a classic (though it was a minor hit), but it does break up the uniformity of the album at just the right time. An outstanding guitar solo, brittle and impassioned, is the highlight and gives the song an edge. And you've found the time to listen.