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I don't think I'd want to leave them at those pitches for long, especially with heavier strings. George Winston's Dancing Cat Slack Key Guitar Artists an extraordinary and authoritative listing of more than 60 Hawaiian 'slack key' guitar tunings. Coco Montoya, in interview in Guitar Player, May 2007. Also used by Amber Rubarth. Mary Chapin Carpenter: I worked with Blake for the first time on "Party Doll" and had such a good time I wanted to make a whole record with him. Jimmie Page, Guitar Legends magazine, Fall 1993. His advice above can be applied to any of the 'open' tunings described in this document. Mary chapin carpenter guitar tuning http. Playing the d major scale this way allows up to four notes to ring simultaneously, as if they were played on a piano with the sustain pedal depressed. D A D G D G -- Dsus4 Northern Sky.
C G C F A D -- Drop-C This tuning is not as strange as it looks. "Open tunings are by definition rather restrictive, so I found a tuning which is kind of an open G6. The invention of DADGAD is generally attributed to the enigmatic and English Davey Graham (1940-2008). Mary chapin carpenter official website. That was our last question for Mary Chapin Carpenter. And he doesn't remember saying it. The 1st and 2nd strings are each tuned up a half step, so that the interval between every pair of strings is a perfect fourth -- unlike in standard tuning, where the fourths are interrupted by a major third between the 2nd and 3rd strings. Open G tuning has been used extensively for bottleneck slide-guitar styles by many of the great Mississippi Delta bluesmen, notably Charley Patton - High Water Everywhere, Screamin' And Hollerin' The Blues, Sun House, Robert Johnson - Travelin' Riverside, Bukka White, Willie Brown, Muddy Waters and Mance Lipscomb. For (much) more information about equal-temperament vs just intonation and the wonders of the overtone series, see History of Tuning and Temperament and check into the Just Intonation Network.
I've tried to specifically indicate instances when strings are raised in pitch. What's the litmus test? When you investigate a traditional song, it's not always clear what tuning you should use. Mary chapin carpenter guitar tuning car. I've re-listed several of them here, organized by the likely intended keys -- considering the pitches of all strings almost equally, since strings 6 and 5, are not, for Hedges, an especially reliable indicator of the intended key.
F A D D G D -- Dmsus4 Used by The Edge. Jude Gold: "When you're in an open-E tuning, do you tune the 3 (the open, third-string g#) to the even-tempered pitch [that] electronic tuners and pianos provide, or do you tune it slightly flat to the 'pure' 3 that soul singers, Delta blues players, and other musicians intuitively hit -- the just 3 that's in tune with the overtone series? D A D G A D -- 'DADGAD' (Dsus4, no 3) Owing to its 'pronounceability', DADGAD enjoys the very rare distinction of being a word, as well as a tuning. Corrections and comments welcome...!
Column Off the Record, Acoustic Guitar, Aug 2003. The major third is between the G and B of strings 3 and 2, respectively, and there's also a minor third between the B and D on the highest two strings. ] As it turns out, the 5 note (at the interval of a fifth, up from the root of the chord) is nearly the same (just 2 cents flatter) in equal temperament as it is in the overtone series. As long as we don't wantonly introduce other chord shapes, our adjustment to string 2 won't break anything.
Disadvantage: replaces standard tuning's major triad on strings 2, 3, and 4 with a diminished triad. E A E A C E -- Am "My favorite is still Am -- E, A, E, A, C, E with the minor being the signature of rock and roll and Am being perfect like the key C. " [How's that again...? ] E A D G B E -- standard tuning This is the traditional standard tuning familiar to most guitarists, though it's probably possible to grow up within the Hawaiian slack-key guitar community without learning much about it. Martin Simpson notes that ".. England they have Gsus4 [DGDGCD] and Gsus4/4 [CGDGCD] which are straight lifts from the five-string banjo. " Thanks for the inspirational singing/songwriting. David Gilmour uses Gibbons' variant, or something very close to it for Hey You (on The Wall). B9, no less... perhaps in part to facilitate a b7m chord (Cm) on the top four strings... and / or to support Greek and Arabic scales that include a b2... like the Byzantine / Hijaz Kar scale: 1 b2 3 4 5 b6 7. The VIm chord is very often encountered in pop songs, and is sometimes the only other chord employed beyond I, IV and V7 (Oh, Donna, Under the Boardwalk... ). If possible, resist the temptation to retune string 2 with your tuner. Some or all are a 1983? D) It's very unusual to include the 7 (A) in a tuning, though it makes sense as part of the V7 chord (F7), and would enable hammered-on resolutions to the Bb tonic. Corrections appreciated! There's nothing worse than a folk song that is locked down into a very European musical tradition focusing on A, D and E [for example] with all of the harmony filled out.
"I found that Strawberry Fields Forever works best in Bb with DADGAD tuning. Sonny Landreth: "That's why so may of us gravitate to slide -- we want to get that vocal sound, and that vocal sound often lies between the frets. UN Mission in Kosovo. It is a testament to her talent and commitment to the music. Pat Kirtley says that this tuning is derived from 5-string banjo tuning, and has been in use since at least 1880. 12-string tuning The special edition of standard tuning for 12-string guitars, which have six courses (pairs) of strings. Double Drop-D; Double-D Down. Warren Allen, 30 Dec 1997. The more I dig into MCC, the more I like. C F C G A E -- C6add4 / Am7b6 Used by Michael Hedges, for The Magic Farmer.
In concert key MCC JJ capo key tuning capo key Girls With Guitars C 3 A 0 C Hearts in Her Eyes D 2 C 0 D Real Real Gone Bb 3 G. G B D G B D -- Open G (standard dobro tuning) 6th string tuned up to G, presumably?! Do you still consider DC home? This technique (Pierre Bensusan calls it "harp style") allows for a very smooth and gentle delivery of the melody and avoids the staccato effect that marks many guitar arrangements of fiddle tunes. Fifteen "C-Bass" Tunings including: Drop-C. Open-C. Open C-Minor.
While playing this three-string chord, twist string 2's tuner very slowly and gradually to lower the pitch of this string, and the note B. Webmasters: If you link to this site, send me a message with the URL you'd like me to post in this section. C G C F G B -- Cmaj7sus4 Used by Michael Hedges, for Aura Muunta. C(9) C(9) C(9) C(9) D D G* G*. An interesting "guitar nerd" thing about Mary's Greven #1 is that what looks like top "runout" is actually a wee bit more than that. Mary McCaslin's Selected Guitar Tunings page for her notes on the G, Gm, A and D tunings she employs, including her favorite chords for each tuning, and a list of songs that she applies them to. As for Open E, the first-position E7 grip from standard tuning can be used to great effect in its usual position (to add the 6 and sus4 tones to the tonic D), and as a launch point for running 6th intervals on strings 3 and 5, as in this major scale pattern... D Em #m G A Bm C#o D Em #m. (or) #m G A Bm C#o D Em #m G A. In any case, I don't have the recordings, so I'm taking a best guess in several cases. He led the way and everyone else came later. 060 guage sixth string still sounds good when tuned down to C. In fact I'll often tune the sixth and firth strings down to B and #. " E B E G B E -- Open Em.
Eric works hard to shine a spotlight on what's going on locally. I've organized the tunings per the likely intended keys -- especially considering the pitches of strings 6 and 5. All of these ringing strings make for a uniquely full sound, especially for strummed first position chords, and the almost-but-not-exactly in tune string pairs create a uniquely 'chorused' effect. The charts try to list six things for each song: 1) The key that the song was originally recorded in. Pat Missin says that Fahey probably also used it for When the Catfish Is In Bloom. This flexibility owes much to open bass strings set to C, G and D respectively (rather than to a 1, a 5, and an octave of the 1, as in many other tunings). I think I"m zeroing in on it, but I say that with a caveat, that I do think it's like the song talks about finding your place in the world -- knowing what your purpose is. If anyone has time and a good ear and wants to transpose some of my favorite MCC songs that I can t find online, please PM me. D G D G B E -- G6 / Drop-G Randy Scruggs and Chet Atkins - Both Sides Now and Yellow Bird, John Renbourn - John's Tune, David Gilmour, Pat Kirtley...