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"One of the guitarists James played with regularly during his youth, Henry Stuckey, showed him an open tuning he'd allegedly picked up from some black Bahamian soldiers while serving in France during WWI. Acoustic Guitar magazine, January 2010. Her playing style seems to effortless and gorgeous, even standing in her kitchen. And he doesn't remember saying it.
Yes, she does use quite an assortment of alternate tunings. Thank you for taking the time to talk with us. Basically, D A D G A D is exactly the D equivalent of Gsus4 [D G D G C D] [? Open D is the tuning that Bo Diddley (Ellas Otha Bates / Ellas McDaniel, 1928-2008) used exclusively, if I understand correctly... though with his guitar just roughly at standard pitch, and sometimes with a capo... per this video of a medley of the aptly yclept and mono-chordal 'Hey, Bo Diddley' and 'Bo Diddley'. So thanks to John [Greven] who made it, Steve Spellman and Gary Oelze who made it possible, and the original owner, whose misfortune I unwittingly benefited from, I have been the proud owner of this instrument ever since. If so, can I borrow the map? The major third is between the G and B of strings 3 and 2, respectively, and there's also a minor third between the B and D on the highest two strings. ] 14. jgmaute, I find this fascinating... He nodded affirmatively, adding, "Well, that's what they say. Mary chapin carpenter guitar tuning car. " I do not have the answer, but both tunings seem to work. For an A major triad, she frets the 6th string at the 2nd fret and plays the rest of the strings open: 200000. Duck Baker, article TRADDAD, Acoustic Guitar magazine, July 2005.
Works well also for keys of G and D, if we understand Thompson's statement correctly. Other sources indicate that it's not entirely clear whether or not Graham originated the tuning, though it is at least well-established that he introduced it to British guitarists including Bert Jansch and Martin Carthy, in the early 1960s. Support for the V7 chord at no extra charge (G7: G B D F). F Bb C F A D -- Bbmaj7add2 Keola Beamer - Namakelua's Tune. Keith Richards cites Don Everly's use of Open G as the direct inspiration for his five-string variation. D A D # B E -- D6add9 Used by M. Mary chapin carpenter guitar alternative tunings. Just two strings re-tuned: string 6 down a whole-step, string 3 down a half-step. Guitar Chords and Tab.
He literally forced me to take the money. Spelled E, B, E, G, B, E, this E minor "cross-note" tuning, as James called it, became the basis for the majority of his compositions. " F C F Ab C F -- F minor. Tunings especially for the keys of Ab / G# and Abm / G#m |.
Wish I had a perfect answer to give back. I've always kind of scanned my internal landscape (laughing). From the Michael Hedges tunings list compiled by John Stropes, who worked directly with Hedges in transcribing much of his music. C G D G C D -- Orkney tuning Used by Martin Simpson, Seth Austin, Tony McManus, Chris Proctor, Anton Emery, Joni Mitchell, and Sonic Youth. Also, will you be using the word "sepia" in your upcoming album?
The whole guitar just sounds fatter, ballsier. N. c. n. c. [ intro: lead acoustic guitar; see tab at end]. Come On Come On was such a great album. 6th string up to F, 5th string up to Bb, other strings dropped one whole step each.
DADGAD is another tuning that is not too colored... 24 E 9 G DADF#AD 0 E Jubilee Bb 3 G 3 G Outside Looking In A 2 G Where Time Stands Still G n/a n/a This Is Love G 5 D DADF#AD 0 G * On the album, the lead guitar is tuned down a half step. Davey Graham, British Fingerpicking Guitar, Stephan Grossman, 1976. He owns the studio, but I did not work with him. I never did know exactly what key I was tuned to, but I came to find out from some old people that it was called 'Sepastopol' [or Open D, low to high -- D A D # A D]. Article about Roger McGuinn, Guitar Player magazine, Oct 2004.
It may be convenient to think of this tuning as a ratcheted-up version of Open G tuning, with all of the strings tuned up one full step higher. As with standard tuning, great for hammering-on 5 on top of 4 (on 4th string) and 1 on top of flatted 7 (on 3rd string). C G C F A D -- Drop-C This tuning is not as strange as it looks. Used by Lawrence Juber, who sometimes switches to it from DADGAD to play a song in C. " Lawrence Juber, Fingerstyle Guitar magazine, Oct 2003. Just two strings re-tuned: string 5 up a whole-step, string 3 up a half-step. For a quick and easy demonstration, with the guitar accurately tuned to standard tuning (preferably to an electronic tuner), pluck or strum strings 4, 3 and 2 only -- sounding the notes D, G and B respectively -- a complete G major triad. For Wild Horses, Richards wound up using both tunings. " Duane Allman's favorite slide tuning.
Pat Missin says that Fahey probably also used it for When the Catfish Is In Bloom. I don't know how to go farther into it without feeling uncomfortable. E A D # B E -- E9sus4 Nick Drake, on Cello Song (capo-ed 6th fret... played as if in E, sounds in Bb. D G C G C D -- Gsus4 Used by Jimmy Page, for The Rain Song.
Recently, Martin Carthy had this to say about it: "There was no question that Davey Graham was 'the man'. It was also used by the Delta bluesman, Robert Johnson, at least. Using the 'pure' 3 / third in open tunings - from the holy overtone series. He said he had made arrangements with Steve Spellman to take it out on loan for a few weeks, because he said that if you are going to buy a guitar, you need to be able to play it a bunch. Corrections and comments welcome...!
French virtuoso Pierre Bensusan may be the greatest exponent of DADGAD today. Lawrence Juber, article in Fingerstyle Guitar magazine, Oct 2003. It was a gig that I should not have been paid more than $40 dollars for. "I use these tunings to help convey the characteristics of the [Crimean Tatar] folk music I explore. " Slightly mad Richard Lloyd (of Television fame) suggests that a completely fourths-based tuning for the guitar -- E A D G C F -- was historically rejected [though revived by Stanley Jordan; see above] because of the "god awful" minor 9th interval between the low open E string and the high open F string. He says that no one from D. ever made it big in music without moving away and going to N. Y., L. A. or wherever.