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For Hurston, you had to jump off the high dive. Like, we're not going to do this, because I've been there before. Eve Dunbar, Literary Scholar: People cite her letter to the editor where she disparages Brown versus the Board of Education as retrograde, as anti-Black. I found it out in certain ways. Half of a yellow sun movie review. She was working on at least one novel at the time. Narrator: The Rosenwald Fund had agreed to provide $3, 000 over two years to support Hurston's doctorate.
Life poses questions and that two-headed spirit that rules the beginning and end of things called Death, has all the answers. And I think Mules and Men is one of the best examples and the first examples of that. Benedict assessed that Hurston had "neither the temperament nor the training to present this material in an orderly manner when it is gathered nor to draw valid historical conclusions from it. " Zora (VO): All night now the jooks clanged and clamored. Langston Hughes, the promising twenty-four-year-old writer from Missouri won the first prize in poetry, but that evening Hurston won the most prizes—two second place awards and two honorable mentions. María Eugenia Cotera, Modern Thought Scholar: She goes off after taking a few classes in anthropology really intent on being this good Boasian anthropologist—following Boasian methods of participant observation. Watch Zora Neale Hurston: Claiming a Space | American Experience | Official Site | PBS. Zora (VO): Dear Doctor Boas, I am full of tremors, lest you decide that you do not want to write the introduction to my "Mules and Men. "
They sat in judgment. Narrator: Mason found Hurston's material promising and continued her patronage. And Alain Locke's critique in a one-paragraph review suggested that she was drawing on old literary traditions. María Eugenia Cotera, Modern Thought Scholar: People are invested in saying she was a Black anthropologist, but another part of me wants to disinvite anthropology from her recuperation because there were so many moments when folks work behind the scenes not to support her, and so that is very painful. The next year, her friend anthropologist Jane Belo asked her to conduct research on religious trances in Beaufort, South Carolina. Narrator: Also that year, white, wealthy shipping heiress Nancy Cunard, a regular fixture in Harlem society, published Negro Anthology, an extensive, groundbreaking collection of music, poetry, historical studies and examinations of racism. I think it gives a lot of minoritized people access and legitimacy to the work that they most value, which is to go into their own communities. She was employed to collect for Charlotte Osgood Mason. Carla Kaplan, Literary Scholar: He didn't write a full scale introduction and treat her work with that kind of seriousness. "But I have lost all my zest for a doctorate. On the other hand, it is the truth as she saw it. Irma McClaurin, Anthropologist: Harlem in the 1920s is a magnet. Hurston's translation of rural Black experiences into literature so impressed Johnson that he suggested that the young woman join the flourishing literary scene in New York. Half of a yellow sun streaming vostfr film. When the novel is dismissed as a romance or a love story, or even worse, as a kind of dialect novel in some cases, what I think is lost there is the incredibly complex vision of power and oppression and racism that is presented in that novel.
Carla Kaplan, Literary Scholar: She's somebody who succeeded against all the odds and whose life was marred by lack of resources, who could have done five times as much if she had had the financial wherewithal she so richly deserved. Baker, Anthropologist: Zora Neale Hurston was an employee. Two Masters and the Self. Am keeping close tab on expressions of double meaning too, also compiling lists of double words. Half of a yellow sun streaming vostfr full. Carla Kaplan, Literary Scholar: He and Zora Neale Hurston were enormously important to one another in every sense: emotionally, aesthetically, intellectually. Charles King, Political Scientist: Hurston is an early practitioner of what would later come to be called native anthropology.
"Miss Hurston…has made the study of Negro folklore her special province. That is to say, she's someone from the communities that she is studying. Zora (VO): One other item of expense, Godmother. Tiffany Ruby Patterson, Historian: There was rarely a moment that she didn't have to worry about money, that she didn't have to borrow or work more than two or three jobs. Narrator: In Spring 1940, Zora Neale Hurston, the celebrated Harlem Renaissance writer and anthropologist, arrived in Beaufort, South Carolina to study religious trances. She believed that you had to perform it, that you had to see it, you had to hear it, you had to feel it. Among the thousand white persons, I am a dark rock surged upon, overswept by a creamy sea. Columbia's Morningside Heights campus became a magnet for students eager to please "Papa Franz. Man (Archival VO): How do you learn most of your songs? She, uh, wanted to see what was going on at the store. And when their relationship exploded, they were both profoundly wounded by it. I think she's really laying it out there.
Narrator: With over 300 guests in attendance, the event was a who's who of the Harlem Renaissance—progressive New Yorkers, Black and white, from the worlds of literature, arts, education and philanthropy. She's a survivor in a variety of ways, and she goes home to tell her girlfriend. Blue bird, blue bird through my window. She's still desperately trying to get enough money to continue her work, and it's slipping through her fingers. And due to segregation laws in Southern towns, Hurston frequently slept in her car while her colleagues rested in a motel. Narrator: In September 1937, her book, Their Eyes Were Watching God, was on its way to becoming a mainstream critical success. You remember that we discussed the matter in the fall and agreed that I should own only one pair at a time. Her opinion on the Supreme Court's 1954 ruling that ended legalized racial discrimination in schools put her at odds with many Americans. The Negro is no longer in vogue. Even the women folks would stop and break a breath with them at times…I'd drag out my leaving as long as possible in order to hear more…to allow whatever was being said to hang in my ear. Irma McClaurin, Anthropologist: At the moment that Zora is claiming her space as an anthropologist, anthropology doesn't know what to do with Black folk. Ah shack-er-lack-er-lack-er-lack-er-lack-er-lack-er-lack!
Tiffany Ruby Patterson, Historian: She was smart. Narrator: In 1931 the Journal printed Hurston's one-hundred-page article, "Hoodoo in America, " which began cementing her as the American authority on the topic. Zora (VO): My search for knowledge of things took me into many strange places and adventures. Narrator: Back in Florida, Hurston continued writing for herself and for others—including a position with the federal Works Progress Administration's Florida Writers' Project. Did Franz Boas consider her lack of a Ph. Narrator: Zora Neale Hurston died from heart disease after a stroke on January 28th, 1960, shortly after her 69th birthday in a segregated nursing home in Fort Pierce, Florida. María Eugenia Cotera, Modern Thought Scholar: Folks began to respond to her, and even repeat back verses of Langston Hughes's poetry to her. Narrator: Hurston lived in an eight-room house on five acres of land with her parents, Lucy and John, and seven siblings. Narrator: By evening's end, Hurston also had met and impressed two influential women who would support her academic goals. And then the boss hollers "bring on the hammer gang" and they start to spike it down. And added in a separate letter, "I don't think she is Guggenheim material. Zora (VO): I am being trained for Anthropometry and to do measuring. You know, this is grown folk stuff. " Charles King, Political Scientist: Hurston is reporting on a set of experiences that she had, using the first person.
Her Americanness really comes through in how she writes that work. One of the major projects of the New Negro renaissance, is to write about and reframe how society thinks about Black culture. I bought a pair in mid-December and they have held up until now. They didn't know what to do with Zora, and I think it was a level of gatekeeping. Tiffany Patterson, Historian: Zora was nosy, pure and simple. She also had a motion picture camera, a rare and expensive tool for anthropologists, that would allow her to capture scenes of rural Black life. Carla Kaplan, Literary Scholar: As an academically trained anthropologist, getting Cudjo Lewis's voice exact was very important—that ethnography should record with accuracy not with translation. Carla Kaplan, Literary Scholar: Charlotte Osgood Mason was somebody who believed deeply that white American civilization was bankrupt and washed out, and that the key would come from what she considered "primitive peoples. " Mules and other brutes had occupied their skins. She jumped at the sun. Irma McClaurin, Anthropologist: They decide, and this is the language that is in some of the correspondence, that "Zora Neale Hurston is like a rough piece of iron that needs to be honed into a fine piece of steel. "
Eve Dunbar, Literary Scholar: That doesn't mean whatever relationship they had was inauthentic, but I don't think that the Academy imagined Hurston as ever being part of the knowledge it produced, or a knowledge producer in her own sake. She devoted most of her time to fieldwork on a topic that she perceived White folklorists to be sensationalizing and misrepresenting—"Hoodoo" and conjure: folk religion and practices created by enslaved African Americans. Often she was working on her own. It would have been easy. Carla Kaplan, Literary Scholar: It was an enormous disappointment for her—one of the heartbreaks of her life. Zora (VO): I hurried back to Eatonville because I knew that the town was full of material and that I could get it without hurt, harm, or danger. So we have to ask ourselves, what other aspects of her difference played into this lack of support? The Daily News advised, "The fascinating Zora Neale Hurston, " is "too good to miss. Carla Kaplan, Literary Scholar: He's a very important voice. Tiffany Ruby Patterson, Historian: She said, "I have to keep going and answer the questions about my people. " The truth was, she was in many ways undisciplined. Carla Kaplan, Literary Scholar: Once she was done with something, or someone, often she was completely done, and she couldn't look back.